Monthly Archives: February 2013
The Berklee World Strings Perform at The Towers in Narragansett RI
I just had the incredible pleasure of seeing one of the worlds best string ensembles live and in person. What a moving and inspirational performance. The Berklee World Strings on Facebook check them out!
“Light The Way” Photographic Workshop at Manic Training Wakefield Rhode Island
“Light The Way” Photographic Workshops
I co-hosted yet another “Light The Way” photographic workshop with my friend and fellow photographer Brad Smith this past weekend. This one took place at Manic Training Which by the way is an EXCELLENT place to workout!
We had a blast with lots of photos created and lots of learning happening I LOVE to teach what I love… I believe we had about 15 photographers in the room with 5 models and 2 hair and make up professionals. Thanks also to Trevor Holden and Matt Jacobsen for some behind the scenes photography and assistance in setting up and breaking down the piles of gear we brought with us, as well as taking some participants under their wing as needed.
Check out this really fun video we made of the event!
Thank you very much to Lynda Williams of Formal Hair Design her hair styles keep getting better and better! Check out these ladies!
And Thank you to Jennifer Hodge of Spectrum Make up Artistry Always does just the right amount of makeup so the ladies look their best!
Here are some photos that I created
A big THANK YOU to our Models who really stepped up to the plate!
“Light The Way” Photographic Workshops
“Light The Way” Photographic Workshops
“Light The Way” Photographic Workshops
“Light The Way” Photographic Workshops
“Light The Way” Photographic Workshops
“Light The Way” Photographic Workshops
“Light The Way” Photographic Workshops
Behind the Curtain/ Roller Derby Portrait for Grace Magazine
Here is a portrait I created for Grace Magazine of some of the shoreline Roller Derby girls for an article about their organization.
The Shoreline Roller Derby by Seth Jacobson
This is a very complicated photo I pieced together from 3 separate images. I took all of the photos in the same session with all the participants on hand the whole time. But I simply didn’t have enough lights to adequately cover everyone in my composition. So what I did was place my camera on a tripod and move the lights around to where I needed them for each grouping and then blended it all together in Photoshop later on.
The Roller-rink was closed and quite dark (if you look in the back you can see the concession stand is closed and dark looking something I wish I had seen when I was shooting)
Here are 2 set up shots
Once I got my Composition figured out, what I needed to do was light each group but make it look like they were all lit the same way even thought they all had completely different lighting. I placed one of my lights right in the photo (top left hand corner) on purpose this gave the illusion of a unified lighting scheme. Your eye automatically wants to believe photos and this helps inform the lighting so you can believe what you are seeing.
behind the curtain with the shoreline roller derby by Seth Jacobson
You can see here I had 3 lights on this 1st photo. A 7′ reflective umbrella, a bare bulb light and on the right hand side in the back a gridded light just on the Ref. who was showing up too dark in test shots.
Behind the curtain with the Shoreline Roller Derby by Seth Jacobson
The Next photo was taken with a very similar lighting set up just moved closer toward these ladies the 7′ umbrella is off camera here but still in use and the gridded light was set behind them exactly to give a little back light in addition to the back light you can see on the top left.
Behind the curtain with The Shoreline Roller derby by Seth Jacobson
The last photo was shot using 2 lights a smaller shoot through umbrella up and over the subjects the spot gridded light creating the shadow on the wall. With all the photos taken all I had to do was stitch them together in Photoshop Here is how it appeared in the magazine.
The Shoreline Roller Derby By Seth Jacobson for Grace Magazine
